Skip to content

Cart

Your cart is empty

Continue shopping
A Grace Design m908 monitor controller and its desktop remote fitted in an equipment rack in a dim room

Grace Design

Inside a Grace Design m801 mk2 with the lid off: a row of eight red preamp circuit cards standing in the chassis behind the front panel

The brand

Grace Design builds in Colorado, and has built the same kind of thing the same way for about thirty years: microphone preamplifiers, converters, monitor controllers and one headphone amplifier that people who own one tend not to replace.

Most of what is here is for recording and mixing rather than listening. A preamp, a direct box and a monitor controller are studio tools, and if you have come looking for headphones this is not the page you want.

The person who runs this shop was employee number one at Grace Design in 1997, running production, and brought several of these designs from prototype to something buildable at volume. Discount anything enthusiastic below accordingly.

Grace Design m908 monitor controller system
Grace Design m801mk2 front panel
Grace Design m108 front panel
Grace Design m905 monitor controller
Grace Design m701 audio interface, front
Grace Design m103 front panel
Grace Design m308 eight channel active DI
Grace Design m201mk2 front panel
Grace Design FELiX 2 instrument preamp, silver
Grace Design Spacebar Surround Tree
Grace Design ROXi microphone and instrument preamp pedal
Grace Design m908 monitor controller system
Grace Design Spacebar Decca Tree mounting kit
Grace Design m101 front panel
Grace Design ALiX instrument preamp, silver
Grace Design m108 front panel
Grace Design m501 front
Grace Design m900 headphone amplifier and DAC
Grace Design m701 audio interface, front
Grace Design MOXi two channel instrument preamp
Grace Design REX microphone preamp pedal
Grace Design m303s stereo active DI
Grace Design BiX acoustic preamp pedal
Grace Design SB-30 Spacebar, 30 cm
Grace Design Spacebar Blumlein mounting kit
Grace Design m303 active DI
Grace Design Spacebar centre mount bridge
Grace Design m905 monitor controller
Grace Design Spacebar hanging bar
Grace Design adjustable modular microphone holder
Grace Design microphone holder assembly, standard
Grace Design SB-SMA stand mount adapter
Grace Design Spacebar centre mount bridge
Microphone positioning

Spacebar

Stereo bars and microphone trees with the spacing and angle marked on them, so a setup goes back where it was.

Which one

A Grace Design m103 seen from one end along its 1U front panel, the row of knobs and the LED meter running away into the distance

With the preamplifiers, the answer depends on how many inputs you need rather than on which sounds better. They are the same circuit topology, so the choice is channel count, form factor and whether you want the converter in the same box.

The monitor controllers are for a room where several sources and several sets of speakers have to be switched cleanly and matched in level, the m905 in stereo and the m908 for immersive formats. If you have one source and one pair of powered monitors, you don't need one.

The direct boxes are all active and isolated, so the choice is channel count: one on the m303, a stereo pair on the m303s, eight on the m308.

If you came here for headphones after all, the m900 is the exception on this page: a converter, a line preamplifier and a headphone amplifier in one small box, built for listening rather than recording. It has two headphone outputs at 0.08 ohms, and it runs from USB power or from the supply in the box, which takes it from 175 mW to 950 mW into 32 ohms.

What is worth knowing before you spend

These are built to add as little as possible.

They won't flatter a thin source or warm up a harsh one, so somebody looking for character should buy something else.

The m900's headphone outputs sit at 0.08 ohms.

That low an output impedance keeps the frequency response of a low impedance headphone from being bent by the amplifier, which is the mechanism behind a great many complaints about a headphone sounding wrong on one amplifier and right on another.

They're built to be repaired.

Through hole where it matters, made to be opened, and the company answers the phone.

On price: these compete with things that cost more and things that cost less, and the argument for them is never that they are cheap. If a specification chart is how you decide, several cheaper boxes will win on paper.

What you get either way

The listening room

Third floor at 215 East Lewis Street in Livingston, by appointment. An hour in the room settles this faster than anything either of us could write.

Plan a visit

How we grade

Used and consigned gear is graded at the worst axis and never averaged. Every defect is named on the listing and the standard is published, so as described is something you can hold us to.

The condition scale